“Finally, there was Anne LeBaron's acid trip that many in the audience had been clearly waiting for. She had composed the Industry's first opera, "Crescent City." In "LSD: The Opera," she expands consciousness with an expanded orchestra, incorporating Harry Partch's gorgeously weird microtonal instruments into the orchestra in a way no one has thought of before.”
She expands consciousness with an expanded orchestra, incorporating Harry Partch's gorgeously weird microtonal instruments into the orchestra in a way no one has thought of before.
in LSD