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The interaction between acoustic and electronic music -- and between traditional vocal sounds, nontraditional vocal sounds and all those transformative auditory sensors -- is where the interest lies.

“The vacuum cleaner here is an unusually responsive model with a long hose and electronic sensors that sonically interact with a singer's every squeal of delight. But the interaction between acoustic and electronic music -- and between traditional vocal sounds, nontraditional vocal sounds and all those transformative auditory sensors -- is where the interest lies.”

LA Times, 2008

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Her fluidity with musical style and with musical character is the real wetness of "Wet."

“LeBaron's writing for the instrumental ensemble is full of invention, sometimes avant-garde and sometimes not. Cultures never collide, but many coexist. Her fluidity with musical style and with musical character is the real wetness of "Wet." The instruments offer watery unpredictability and readily take the shape of any container (or musical form).”

LA Times, 2005

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